Now, for post-Crank thoughts, here are my reasons why Crank should have been nominated in several Oscar categories.

Best Screenplay: I didn’t understand half of the words Jason Statham was saying, and there were so many characters I had no idea what most of them were doing in the movie. This is similar to my past experiences with Shakespeare.

Best Actor: Chev Chelios needs to keep moving and keep his adrenaline pumping to survive. Bringing this character to life is an impressive achievement, largely due to the fact that actor Jason Statham normally never seems to get more excited than, say, Clint Eastwood. One assumes, given the fast pace of the movie and what people would normally call “dialogue,” that Statham actually took some sort of drug to speed up his metabolism and risk his life, and one has to admire that sort of commitment to the craft.

Best Supporting Actor: Dwight Yoakam creates a character by literally phoning in his lines. I’ve never seen anyone do that before. Now, in this category there could be competition from some of his own Crank castmates. After all, you can’t completely discount the performances of The Guy Who Played Pedro In Napoleon Dynamite (Efren Ramirez) and The Guy Who Played Weevil In Veronica Mars (Francis Capra). But I’d give it to Dwight.

Best Supporting Actress: Amy Smart is so natural in the role of Eve it’s almost like she didn’t realize she was in a movie. I don’t think she did. I think, during the take, Jason Statham just showed up at her apartment and she improvised as well.

Best Cinematography: One take, ninety minutes of following an adrenaline-fueled Jason Statham around while he’s improvising. ‘Nuff said.

Best Director: True, it might seem easy to take that screenplay and those actors and turn out the best movie of the year, but directors Mark Neveldine and Brian Taylor took it all one step farther: They were brave enough to have a word appear, most of the way through the movie, for one second, floating by itself on Statham’s forehead, with no real context or precedent. How often do you see that? Martin Scorsese didn’t do it. Neveldine and Taylor did.

Best Foreign Language Film: There were smatterings of English, but that shouldn’t disqualify it. This movie’s native tongue was the whole-body sign language called Action!

Best Picture: Not Crank. Apocalypto. Apocalypto is like historic Crank, and history always makes films better.

Did you miss one of the great films of our generation in theaters? Not to worry. April, 2009…CRANK: HIGH VOLTAGE!

Not to mention the current version of The Question, Northstar, Midnighter and Apollo, one version of Catwoman, Scandal Savage, Flatman, Obsidian…the list just keeps going.

It’s interesting that DC is turning one of their flagship comics over to a gay character for a while, but I suspect sales, her place in the DC Universe, and the writing won’t be much different than if, say, Nightwing was going to be the star. (No, he’s not gay. Ignore the costume.)

Now, I would not speak to you insincerely within five minutes of being shot. I am telling you the literal truth when I say my concern is for many other things. It is not in the least for my own life….

I don’t know who the man was who shot me to-night…. He shot to kill me. He shot the bullet. I am just going to show you (Col. Roosevelt then unbottoned coat and vest and showed his white shirt badly stained with blood)….

Now, I wish to say seriously to the speakers and newspapers representing the Republican and Democratic and Socialist Parties that they cannot, month in and month out, year in and year out, make the kind of slanderous, bitter, and malevolent assaults that they have made and not expect that brutal and violent characters, especially when the brutality is accompanied by a not too strong mind….

Don’t you pity me. I am all right. I am all right, and you cannot escape listening to my speech either….

I wish to say that the Progressive Party is making its appeal to all our fellow citizens without any regard to their creed or to their birthplace….

In New York, while I was Police Commissioner, the two men from whom I got the most assistance were Jacob Riis, who was born in Denmark, and Oliver von Briesen, who was born in Germany, both of them as fine examples of the best and highest American citizenship as you could find in any part of this country….

At one time I promoted five men for gallantry on the field of battle…. two of them were Protestants, two Catholics, and one a Jew. One Protestant came from Germany and one was born in Ireland. I did not promote them because of their religion, it just happened that way. If all of them had been Jews, I would have promoted them, or if all had been Protestants I would have promoted them, or if they had been Catholics….

I ask that in our civic life that we in the same way pay heed only to the man’s quality of citizenship—to repudiate as the worst enemy that we can have whoever tries to get us to discriminate for or against any man because of his creed or his birthplace…. in the same way I want our people to stand by one another without regard to differences of class or occupation. I have always stood by the labor unions…. It is essential that there should be organization of labor…..

Now, the Democratic party in its platform and through the utterances of Mr. Wilson has distinctly committed itself to the old flintlock, muzzle-loaded doctrine of States’ rights, and I have said distinctly we are for people’s rights. We are for the rights of the people. If they can be obtained best through National Government, then we are for national rights. We are for people’s rights however it is necessary to secure them.

Mr. Wilson has made a long essay against Senator Beveridge’s bill to abolish child labor. It is the same kind of argument that would be made against our bill to prohibit women from working more than eight hours a day in industry. It is the same kind of argument that would have to be made; if it is true, it would apply equally against our proposal to insist that in continuous industries there shall be by law one day’s rest in seven and three-shift eight-hour day….

I ask you to look at our declaration and hear and read our platform about social and industrial justice and then, friends, vote for the Progressive ticket without regard to me, without regard to my personality, for only by voting for that platform can you be true to the cause of progress throughout this Union.

- Master Hu, the Peggle Owl

Link courtesy of Best Week Ever.

Here’s an idea that I’m sure has been said before: Copyright law should require the rights owner make the information available to the public in some fashion. If not available for more than, say, ten years, the copyright term would be severely shortened. In the case of printed material, it would mean that the rights holder would need to make the information available for some fee to the public either in a digital or printed form. That wouldn’t take care of the problem faced in putting together the New Criticism book, since the rights holder could still charge an exorbitant fee for the material, but it would give the publisher an incentive to not charge as much, because any use of the material in a book would count as being publicly available.

What that would affect is my greatest worry about long copyright terms. The lack of financial incentive to publish some material, combined with the fact that it can’t fall into the public domain for an extremely long time, causes works to fall into a limbo where they exist, but they aren’t truly available. We shouldn’t have to rely on the used-book market to find a majority of books published in the Twentieth Century. There are vast video archives locked away by rights holders who have little incentive to make them available even through lower-cost digital publishing systems.

However, put that information in the hands of thousands of individuals who have personal interest in the material and low-cost publishing systems…well, you can see it happening all over the place today, often illegally. But why should the public good of rescuing information be illegal?

Of course, DRM also has a hand in this question. Does it do us any good for a work to fall into the public domain if the only copies of it are encrypted? Particularly when it’s illegal to attempt to break that encryption? I have a lot of faith in the ability of the masses to break or otherwise circumvent encryption, but it should be explicitly legal to break encryption on public-domain works.

Anyway, enough pontificating for today.

Link courtesy of Rock, Paper, Shotgun.

Did they really have to change the caption “He comes promptly when he is called to breakfast” to “He goes to the kitchen to eat his breakfast”? Perhaps children in 1963 could count on being called for breakfast, while children in 1991 were counted on to make their own.

Link courtesy of Amazon Bookstore Blog and Boing Boing.

And here I was thinking Watership Down, which still bothers me, would be the freakiest movie on the list.

(A commenter on the article points out the characters are not Raccoons, but Tanuki, otherwise known as Raccoon Dogs. I’m thinking adding the word Dog does not improve the idea.)

Link courtesy of Too Many Topics, Too Little Time, which points out that the words are not magic. Probably just the actual testicles.